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A suggestion a day from the Williamsburg Regional Library
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Beatrix Potter’s Gardening Life, by Marta McDowell

22 hours 22 min ago

A rabbit wearing a blue waist coat is a familiar icon of childhood, but adults usually assume Peter Rabbit’s antics don’t have much bearing on reality. Beatrix Potter was a naturalist at heart so her animals often act their natural way (apart from speaking in the manner of citizens of an English country village and wearing clothes). In many cases they are also pictured in real places that Beatrix Potter knew and loved–her own lands and gardens.

Beatrix Potter’s Gardening Life explains how that came about. The book starts with a biography, telling of her privileged, but perhaps lonely, childhood full of pet hedgehogs, country visits and drawings of fungi. Her overbearing parents didn’t want her to marry but she was finally able to wriggle out from under their thumbs by the age of nearly 40 by becoming engaged to her publisher Norman Warne, but her fiance died soon after of leukemia. She always took solace in nature so the great success of her children’s books meant that she was able to buy Hill Top Farm in England’s lovely Lake District. She was only able to live there part time for many years but gardened and farmed enthusiastically. She kept on buying land until at her death at the age of seventy-seven, she left over four thousand acres to the British National Trust. Her house and garden at Hill Top Farm still belong to the National Trust and can be visited by tourists.

If you love Peter Rabbit and his friends try Beatrix Potter’s Gardening Life to see their real homes and haunts. Keep copies of The Tale of Peter Rabbit and her other famous works handy because it uses quotes from Beatrix Potter’s actual letters, her drawings, (both her sketches and her finished book illustrations), historical photos, and beautiful modern photos of the places she wrote about, making the book a delight even if you only have time to browse through and look at the pictures. I loved seeing a sketch or watercolor of a real place and then to see Peter Rabbit or Tabitha Twitchit standing in the picture.

For garden lovers, Beatrix Potter’s Gardening Life doesn’t have much practical advice, so it is best as a wintertime curl-up-by-the-fire and dream book. It includes sections on her garden through the seasons, how to visit all the gardens she knew and created throughout her life and and a list of plants she mentioned or drew. It is essential reading for established Beatrix Potter fans who have already consumed her biographies Beatrix Potter, a Life in Nature by Linda Lear or The Tale of Beatrix Potter: a Biography by Margaret Lane; or her book of art, Beatrix Potter’s Art: Paintings and Drawings by Anne Stevenson Hobbs; or the series of cozy mysteries featuring her life and haunts by Susan Wittig Albert starting with The Tale of Hill Top Farm (more about these tomorrow).

As Beatrix said in a letter, “The best thing about sharing plants is that they always bring the giver to mind,” and the best thing about reading Beatrix Potter’s Gardening Life is that her story will always bring to mind her enduring animal characters, her brave life, and the beauty and solace of gardening, especially in the real Lake District.

Check the WRL catalog for Beatrix Potter’s Gardening Life.


Omens, by Kelley Armstrong

Fri, 2014-09-12 01:01

Omens is a fast-paced book with a nice mix of mystery and paranormal plot.

Olivia Taylor-Jones grew up in a privileged family.  She attends the right type of charity functions, works as a volunteer at a shelter, and is engaged to be married to a handsome, proper CEO with political ambitions.  Her life couldn’t be more perfect, until everything falls apart.

Reporters uncover that she was adopted and her birth parents are serving time for several heinous murders.  Everyone has heard of the serial killers Pamela and Todd Larsen.  Olivia just had no idea that she was their daughter.

The scandal and zealous publicity hounds are a bit too much for her adopted mother and fiance – so Olivia flees.  At first she tries to find an apartment in Chicago, but because of her reluctance to tap into her mother’s money, she has very limited resources. After a particularly unsettling experience in a cheap, but unsafe, neighborhood she takes the advice of an older man and heads to Cainsville, a small town just outside of the city.

Cainsville is an old and cloistered community that takes a particular interest in both Olivia and her efforts to uncover her birth parents’ past. And Olivia feels strangely connected to the place.  She lands a job as a waitress at the local diner and begins a rocky relationship with her birth mother’s lawyer, Gabriel Walsh.  Walsh would like Olivia to help mend his professional relationship with Pamela Larsen – and Olivia wants to meet Pamela to find out about her past.

In the course of investigating her parents’ alleged crimes, Olivia stumbles upon the truth about one of the murders.  Poking around in the past puts Olivia and Gabriel in danger – but also brings the two unlikely partners closer.

I appreciated that this one murder mystery was solved and I wasn’t left completely hanging at the end, though I know the story has many other issues to resolve. I’ll keep reading the series because I care about the characters and love the hints about there being something more than what meets the eye.

If you are just now starting the series — lucky you! — the second book just came out. Visions provides additional material as to what is so special about Cainsville’s residents.

I would definitely recommend picking up the book if you enjoyed Karen Marie Moning’s Darkfever series (Gabriel and Barron have similar personalities) or Richelle Mead’s Gameboard of the Gods.

Check the WRL catalog for Omens

Check the WRL catalog for Visions


Whistling Past the Graveyard, by Susan Crandall

Thu, 2014-09-11 01:01

Here’s another fantastic book I read based on my colleague Nancy’s suggestion.  Like her last recommendation, The Supreme’s at Earl’s All-You-Can-Eat, this one takes a look at friendships and race relations in the South.

Starla Claudelle is an impetuous, spunky 9-year-old kid who learns a lot about the world during a two-week adventure in the summer of 1963.

Her mother moved to Nashville to be a country music star when Starla was just 3 years old.  She has vague memories of a beautiful woman with a lovely voice, and her most prized possession is a demo record her mama sent her a few years ago.

Starla rarely sees her dad who works on an oil rig in Biloxi. She is growing up under the care of her grandmother, Mamie, who doesn’t have a lot of patience with Starla.  Maybe Mamie is just worried that Starla won’t grow up into a proper young lady without the restrictions and high demands, or maybe she’s just got a mean streak…

After losing the privilege of attending her favorite holiday festivities because she was defending a younger girl against a bully, Starla decides to sneak out for the 4th-of-July parade and get her share of candy. When she is caught by one of Mamie’s friends, Starla reasons that she might as well run away to Nashville and live with her famous mother instead of staying in Cayuga Springs and being sent to reform school.

There aren’t many cars on the road on the holiday, and Starla is beginning to rethink her impulsive action when a black woman pulls up and offers her a ride.  You know from the start that Eula doesn’t believe Starla’s story about why she’s on the road alone, but Eula takes her home anyway and eventually helps her get to Nashville to find her mother.

Through the course of the story Starla learns about kindness and meanness, justice and injustice, truth and lies. And the reader learns it, too, through her eyes.

I loved the way the reader, Amy Rubinate, handled the narration of the audiobook.  I particularly enjoyed Eula’s voice – soothing and calm. I looked forward to hearing what she had to say, especially after hearing Starla go on about something she was upset about. Rubinate received AudioFile’s Golden Earphones Award for her work on this book.

When I got nervous that Starla was going to get in a heap of trouble, what Starla referred to as getting a “red rage,” I had to turn off the CD and pick up the book.  It sounds silly, but I cared about the characters too much to listen to something bad happen to her or Eula.  And no, I won’t spoil the story by telling you whether my fears were unfounded.

I’d recommend this one to book groups looking for a something like The Help or as Nancy suggested, The Sweet By and By. There is a lot to discuss about friendship, family and racial tensions. A reading group guide is available online at the publisher’s website.

Check the WRL catalog for Whistling Past the Graveyard

Check the WRL catalog for the audiobook of Whistling Past the Graveyard


Dorothy Must Die, by Danielle Paige

Wed, 2014-09-10 01:01

Modern day teen Amy Gumm is having a tough time at home and at school. Her day gets worse when a tornado barrels through her Kansas trailer park home and deposits her in the land of Oz.  Amy quickly finds out this isn’t the Oz of the storybooks.  What was beautiful and magical is dull and dead.

Like Dorothy, Amy wanders the countryside looking for a way home.  Along the way she makes a few friends.  But instead of watching out for wicked witches, Amy and her companions are on the lookout for the Tin Woodman and his soldiers.

Dorothy came back from Kansas many years ago and something has gone very, very wrong.

The Tin Woodman is now the Grand Inquisitor of Oz.  You can get arrested (or worse) for sass, for not smiling, for lack of loyalty… As Amy comes quickly to realize, all of Oz is subject to Dorothy’s bizarre and selfish whims.

The Scarecrow and Lion aren’t much better.  Scarecrow used his brains for horrible experiments which make the machine-human hybrids of the Woodman’s army.  The Lion attacks villages and kills innocent people.  He is fearless – and completely lacking compassion. And Glinda the Good is actually an evil slave-driver who makes the Munchkins mine for magic!

All is not without hope. There is an underground movement to remove Dorothy from power.  The formerly wicked witches want Amy’s help.  They spring her from prison and begin training her in magic and combat techniques so she can play her part in freeing Oz from the tyranny.

This debut novel certainly gives a unique and dark twist to the Wizard of Oz story.  The tale itself follows a familiar story arc of a strong, female teen relying on herself to overcome obstacles (think Hunger Games, Divergent, Buffy the Vampire Slayer) – but the similarities and differences with the familiar children’s story makes this new YA book a very interesting read.

Dorothy Must Die ends with plenty of questions still needing to be answered.  A sequel is expected in March. I’m looking forward to my next trip to Oz.

Check the WRL catalog for Dorothy Must Die


House of Games (1987)

Tue, 2014-09-09 01:01

A prominent psychiatrist is seduced by the world of con men and confidence games in Pulitzer Prize-winning playwright David Mamet’s 1987 directorial debut, House of Games.

Dr. Margaret Ford (Lindsay Crouse) enjoys a thriving career, including the recent publication of a well-received book called Driven: Compulsion and Obsession in Everyday Life. One of her patients is a compulsive gambler named Billy Hahn (Steven Goldstein). During a therapy session, a distraught Billy confides in Margaret that he owes $25,000 to a shady gambler named Mike. He doesn’t have the money and his life is in danger if he doesn’t repay Mike by the following evening. When Margaret tries to reassure Billy that his life is not in danger, he pulls out a gun and tells her that suicide may be his only way out of the problem. She successfully calms Billy and takes the gun from him.

Later that evening while reviewing her notes on Billy’s situation, she finds a reference to Mike and the place where Billy lost the money: the House of Games. Determined to help her patient, Margaret goes to the House of Games looking for Mike (Joe Mantegna). She confronts him about Billy’s debt and learns that he only owed Mike $800, not $25,000 as originally claimed. Mike makes Margaret an offer: in exchange for helping him win a poker game, he’ll forgive Billy’s debt. Although the poker game is exposed as nothing more than a clever ruse, Mike keeps his word and forgives the debt, and Margaret finds herself intrigued by Mike and his shadowy world of deceptions and con games.

Her evening with Mike sparks an idea for another book, and several nights later she tracks him down and asks if she could watch how he operates. He agrees, and takes her along as he pulls several small cons, all the while explaining to her how confidence games work. She also finds herself falling in love with Mike, seduced by his charm and his insight into why people fall for his cons. Margaret’s whirlwind affair with Mike culminates in a complex confidence game involving a briefcase containing $80,000 borrowed from the mob. Will she risk her professional reputation and her life to protect the man she’s grown to love?

I enjoyed House of Games for the same reason I enjoyed Nine Queens, Fabián Bielinsky’s excellent 2000 film about a pair of con artists trying to sell a sheet of counterfeit stamps. I know an elaborate trick lies at the heart of the story, but the pleasure of watching the film comes from seeing how the trick was constructed and executed. Mamet’s clever and fast-paced screenplay pulls the viewer along for the ride as Margaret finds herself caught up in a situation that is quickly spiraling out of control. The lead performances are particularly strong and credible. Joe Mantegna’s smooth talking Mike is charming, but unapologetic about his life as a con man. Lindsay Crouse’s character is a bit more complex. Dr. Margaret Ford is a caring psychiatrist who wants to help people; however, her experience with Mike leads to subtle changes to the way she regards herself and her profession. Without giving too much away, I suggest that viewers pay careful attention to Margaret’s clothing and demeanor in the scenes at the beginning and end of the movie where she is approached by fans of her book.

Tightly constructed and well-paced, House of Games is a fine mystery and fascinating character study.

Check the WRL catalog for House of Games


The Bad Sleep Well (1960)

Mon, 2014-09-08 01:01

A group of reporters gather in a lavish wedding hall, waiting for the bride and groom to arrive for the reception. Yoshiko Iwabuchi (Kyōko Kagawa), the daughter of Public Corporation Vice President Iwabuchi (Masayuki Mori), has married Kôichi Nishi (Toshiro Mifune), her father’s trusted secretary. Despite the happy occasion, there are a few signs that this is not the typical society wedding: Wada (Kamatari Fujiwara), the master of ceremony, is arrested on bribery charges; the bride’s brother delivers a curious and threatening wedding toast; and an elaborate wedding cake hints at a sinister event. In some films, this scene might be the backdrop to a big and dramatic climax; however, in The Bad Sleep Well, Japanese director Akira Kurosawa’s Hamlet-inspired film from 1960, the wedding is the prelude to a story of obsession and tragedy.

Nishi is a promising young businessman whose quick ascent through the ranks of Public Corporation is driven by the desire to avenge the death of his father, Furuya, five years earlier. At the time, Furuya was assistant chief at Public Corporation when Vice President Iwabuchi and two of his trusted associates – administrative officer Moriyama and contract officer Shirai – were implicated in a bribery and kickback scandal. Before charges could be filed, Furuya committed suicide by jumping out of a window on the seventh floor of an office building. Furuya’s death brought the investigation to a close, but the bribery and kickbacks continued. Nishi was Furuya’s illegitimate son, and before his death Furuya attempted to reconcile with him. Nishi wants revenge for his father’s death, but he also wants to expose the culture of corruption he believes led to his father’s suicide.

After switching identities with a childhood friend, Nishi secures a job at Public Corporation and eventually marries Yoshiko. Following their marriage, Nishi’s plan for revenge seems to fall into place. Wada and Miura, the company’s accountant, are questioned by police regarding the allegations of bribery. Like Furuya, Miura commits suicide after he’s released by the police; however, Nishi prevents Wada from jumping into a volcano by convincing him to help bring his superiors to justice. Working together, Nishi and Wada then set a trap to frame contract officer Shirai for theft. As his plans come to fruition, Nishi realizes he has fallen in love with Yoshiko, setting the stage for a series of events that put Nishi and Wada’s lives in danger.

The Bad Sleep Well is not the only Shakespeare-inspired film in Kurosawa’s oeuvre. Throne of Blood, a retelling of Macbeth set in feudal Japan, was released in 1957, and in 1985 he directed the King Lear-inspired Ran, which won the Academy Award for costume design. Unlike Throne of Blood and Ran, which are epic in tone and scope, The Bad Sleep Well has a more intimate setting, taking place in the well-appointed homes and boardrooms of corporate leaders.

I especially enjoyed the pacing of the film and Toshiro Mifune’s performance as Nishi. The opening wedding sequence was a brilliant way to establish the film’s tone and introduce the major characters. The film proceeds at a methodical pace as Kurosawa gradually ratchets up the tension, building to a surprising and tragic turn of events. As Nishi, the great actor Toshiro Mifune brings the right amount of intensity and compassion; his drive for revenge tempered by his growing feelings for his wife.

The Bad Sleep Well is a dramatic, emotionally dynamic film that will appeal to fans of Shakespeare and Kurosawa. It is in Japanese with English subtitles.

Check the WRL catalog for The Bad Sleep Well


Richard Bolitho series, by Alexander Kent

Fri, 2014-09-05 01:01

The end of summer seems a good time to pull out some old favorite titles and enjoy a last indulgence in pleasure reading before the busy-ness of Fall picks up. On a windy day, what could be better than a novel of nautical adventure? While I enjoy Patrick O’Brian’s Aubrey and Maturin series about which Charlotte has written so well, I think that my favorite 19th century sailing novels are those of Alexander Kent.

Kent’s series chronicles the rise of Richard Bolitho through the ranks of the British navy beginning during the American Revolution and continuing through the Napoleonic Wars. Like O’Brian, Kent has a deep understanding of the art of sailing and of late 18th and early 19th century naval customs and traditions, and his books are richly descriptive without being dry. Kent also gives an interesting picture of all the behind-the-scenes trades that are essential to a successful voyage: ropemaking, supplying ship’s stores, and so on.

These are character-driven stories, and Bolitho is always at the center. Over the course of his career (and the series) Bolitho often finds himself challenged by orders that conflict with his sense of honor. This conflict between following one’s duty or one’s moral code is a central theme here. The secondary characters, from newly minted sailors to the lords of the Admiralty, are all equally well-drawn. Kent’s ear for dialog shines through.

The pace here is a bit faster than that of the Aubrey and Maturin books, and Kent offers readers a thrilling blend of naval detail and action. The series should be read more or less in order to get the full story, so start with Midshipman Bolitho, the first in the series.

Check the WRL catalog for Midshipman Bolitho

Read the series in ebook format, starting with a 3-in-1 collection The Complete Midshipman Bolitho


Roman Blood, by Steven Saylor

Thu, 2014-09-04 01:01

Loving historical mysteries as I do, I was surprised to find that I had not written about Steven Saylor’s Roma Sub Rosa series before (well, I mentioned him in this review of Lindsey Davis’s Falco series). While I like the Lindsey Davis books quite a lot for their humor and wit and a well-crafted noirish feel to the mystery, Saylor’s novels are, I think, richer and perhaps more accurately capture life and culture in early Rome.

The series lead is Gordianus the Finder, a sometime investigator in the later days of the Roman Republic.  In many of the stories, Gordianus finds himself delving into the crimes that result from the struggle for power among the Roman elites. These books will interest anyone who delights in tales of political intrigue and backroom manoeuvrings. Throughout the series, Gordianus encounters historical figures — Cicero, Catalina, Caesar — and he frequently finds himself working for the state, occasionally against his better judgement.

Saylor’s mysteries venture into the darker side of human nature where Gordianus finds his sense of honor and ethics sometimes at odds with the wishes of his clients. Saylor has a firm foundation in Roman history and uses that knowledge to create a believable and realistic sense of place. The private lives of Romans of high and low birth come to life here, and the novels are an excellent introduction to the history of the end days of the Republic.

One appealing feature of this series is the way that Saylor’s characters age in a realistic fashion. In so many mystery series, the passing years have little affect on the main characters, but in the 30 or so years covered in the series, Gordianus experiences the inevitable changes that come with age.

If you like historical fiction or well-crafted mysteries, this is a series not to be missed.

Check the WRL catalog for Roman Blood


Complete Stories, by Flannery O’Connor

Wed, 2014-09-03 01:01

Did you ever pick a book up off of your parents’ bookshelves and find yourself wondering about their reading interests? It happened to me when sometime in my early teens I pulled down a copy of Flannery O’Connor’s Complete Stories and started to browse around. I was horrified. There were hitchhikers killing old ladies, grandfathers killing granddaughters, salesmen stealing hearts and prosthetic legs. Was this what my mother was reading? Well, it was, and as I grew older, I came more and more to appreciate what she found in these stories, and what I missed in my earlier reading of O’Connor.

Faith is a serious business, and it has serious implications for those who profess their beliefs. Flannery O’Connor’s fiction, both short stories and novels, is all an exploration of the way our beliefs shape our actions, for better, and for worse. In the darkest or most grotesque parts of these stories, I think that O’Connor is asking her readers to consider how the actions that might appall us seem perfectly reasonable to those who are taking them. These characters, like Martin Luther, “kann nicht anders.” They can only hope, again like Luther, that God will help them.

The stories also are about grace, and I think that this is the part that I missed when first reading them. It is through the presence of grace that a sense of redemption can be found in O’Connor’s work. For O’Connor, and her characters,  grace is simply there; it is not to be earned or merited. So she calls us to live our lives open to the experience of that grace. My mother was right (as always): these are great stories that challenge us to look into our own lives and see where our beliefs are leading us, and also to be open to the daily grace that pervades the world.

Check the WRL catalog for The Complete Stories of Flannery O’Connor


Paris, by Edward Rutherfurd

Tue, 2014-09-02 01:01

If you enjoy sprawling stories that cover several centuries of history, you are probably already familiar with Edward Rutherfurd. He came to prominence with his first novel, Sarum, which tells the story of the land and the people of the Salisbury Plain in England over a period of about 10,000 years. He followed up that success with books set in Russia, London, Ireland, and New York, all in the same pattern. Rutherfurd uses the specific — stories of individual lives — to draw a picture of the whole; his books, as in yesterday’s post, are mosaics.

Character is at the heart of Rutherfurd’s novels, and Paris is no exception. Here, he follows the lives of four French families from the 1200s through the 1960s. He uses the ebb and flow of their personal and professional lives to track the life of the city, and does so in an eminently readable fashion. As in all his novels, Rutherfurd creates characters from all classes of society, allowing him to move smoothly from the lives and homes of courtiers and nobles to those of merchants and artists to the Paris underworld and its denizens.

Paris itself is a character here too, and the city comes to life in Rutherfurd’s telling. His attention to detail is always just right. There are no unnecessary facts cluttering up the story just to show the author’s erudition. Whether it is Paris during the two World Wars or in the reign of the Sun King, Rutherfurd creates a compelling and memorable portrait of a lively and engaging city. The fictional and historical characters blend easily together, and Rutherfurd creates dialog that rings true regardless of the time period.

Readers who like family sagas will find a great deal to enjoy here, as will fans of history, and lovers of Paris. If you cannot get away to the City of Light anytime soon, you could do worse than letting Edward Rutherfurd take you there in his book.

Check the WRL catalog for Paris

Or try the ebook version of Paris


To Serve Them All My Days, by R. F. Delderfield

Mon, 2014-09-01 01:01

Over the past few years, I have spent a lot of time reading both fiction and nonfiction set in the early 20th century, from just prior to WW I and the years immediately following the war up to the start of WW II. There is something about that time period that I find particularly compelling. Part of it is, no doubt, trying to comprehend the horrors of the war itself and the effect that it had on individuals and on the world. In R. F. Delderfield’s great academic novel, we see how a man, scarred by his service in the British Army in the fields of France, attempts to recover through his work as a teacher, just as his country attempts a similar recovery from its devastating losses.

We first meet David Powlett-Jones, shell-shocked and still recovering from injuries suffered when an explosion buried him alive, as he catches a train into the English countryside to apply for a position at Bamfylde School. Powlett-Jones has been brought back to a semblance of health, mental and physical, by a Scottish neurologist, who encourages him to consider becoming a schoolmaster, “imparting to successive generations of the young such knowledge as a man accumulated through books, experience, and contemplation.” Although the war interrupted his education, Powlett-Jones is taken on an instructor, and the novel chronicles his rise through the school to headmaster.

I love this book for the small portraits that Delderfield paints of the schoolmasters, students, and country folk in the neighborhood of Bamfylde. In a paragraph or two or three, each person is limned with compassion and a recognition that all of us have our strengths and weaknesses. Delderfield’s mastery is in building his lengthy story — 598 pages — with a multitude of smaller pieces. As with a mosaic, you can take as much delight in studying the tesserae as in looking at the whole.

Delderfield also excels at writing about the English countryside, for which he has a clear and deep affection. Here is a description of Powlett-Jones’s approach to Bamfylde:

Already the hedgerows were starred with campion and primrose, with dog violets showing among the thistles and higher up, where the rhododendrons tailed off on the edge of a little birch wood, the green spires of bluebell were pushing through a sea of rusty bracken.

Yes, I am easily won over by lists of flora, fauna, or geologic formations.

Delderfield does not shy away from difficult situations, and Powlett-Jones experiences triumphs and sorrows as he and the school navigate the turbulent years from 1918 to the beginning of the Second World War. But through all of these ups and downs Powlett-Jones emerges as a compassionate and thoughtful teacher, the sort we would all hope for at the beginning of a new school year.

Check the WRL catalog for To Serve Them All My Days

Read the ebook of To Serve Them All My Days


Judging a Book by Its Lover, by Lauren Leto

Fri, 2014-08-29 01:01

What are books all about? No, not the plots, but the culture of books and readers. Are the books we choose a shortcut to our identities via our fantasies and fears? Are they instruments to demonstrate our superiority or to hide our inferiority, raise our children by, choose our friends with? If anyone’s qualified to take on these questions, it’s reader / blogger / tech geek / woman-about-town Lauren Leto.

In a series of short essays, Leto writes about testing new romantic prospects by taking them to bookstores, or by starting a conversation, and laments that the growth of e-readers makes it impossible to cover-snoop. (Barry and I used to do that at airports to pick out the librarians. Not for romance, mind you, but to see if 50 Shades of Grey went with the shoes.) Where you read what you read is another clue, as are the books and tchotchkes you’ve got on your bookshelf. And how you handle challenges from readers you don’t know – lie about reading the book? make a snarky comment dismissing the author as a hack? try one-upping the person until one or the other reveals themselves as a reading fraud? – is as important as the literary quality of your actual reading.

Leto’s writing is fresh, funny, and insightful. She is unabashed about her enjoyment of fun books, but maintains focus on the kinds of books that people who talk about books talk about. Along the way, we get some great ideas for our personal reading lists, and quite a few cutting one liners about both literary wunderkind and bestselling popular authors. (The whole book is copyrighted, but if you memorize a few and trot them out at your next dinner party, Leto probably won’t catch you. Any fair use attorneys out there?) There are entries that can make you puff your chest out one second and ponder the hole in your soul the next if you don’t follow Betty Rosenberg’s First Law of Reading, and secretly cheer when you don’t follow Orr’s Corollary to the First Law. Best of all, there’s a clarion call to change the reader’s mascot from the lowly worm to a higher form of life.

Like most collections of comic essays, these are best taken in chunks to maximize the laugh value. Some are short enough that you can read several at one sitting; others long enough that you can read comfortably at one sitting. Either way you take it, Leto’s reading life is mirrored by everyone who comes across this blog. Read it and have a blast.


The Politics of Washing, by Polly Coles

Thu, 2014-08-28 01:01

It’s the dream of a lifetime for so many – pick some wonderfully historic city or region and move there for an extended time. Live elbow to elbow with the locals, find the hidden restaurants and best shops and become one with the people who lived there since the city was founded. Learn the byways and hidden jewels and play host to the friends who visit you bearing their not-so-secret envy.

That’s what Polly Coles thought she was headed for when she and her partner packed up their four children and moved from England to Venice. Ahhh, Venice, Queen of the Adriatic, hub of world trade, cosmopolitan, her ancient canals filled with … human and animal waste, garbage, enormous cruise ships, and lollygagging tourists taking all the seats on the vaporetti. A city not designed for moving your household unless you have both Atlas and Charles Atlas to carry your valuables. And when the seasonal high tides (the acqua alta) come in, your wellies had better come over your knees or you’ll be slopping through who knows what.

Perhaps worst of all is the attitude of the Venetians. There is a definite pecking order, starting with the people whose families have lived there for hundreds of years, to the newcomers who’ve only been there around a hundred years, to the people who live there but weren’t born there. Bottom of the heap, of course, are those who are only visiting for a few hours.  On the other hand, there is an egalitarianism within the city itself – rich or poor, you have to walk the streets to get anywhere, and the woman in the subdued colors next to you might be a Baroness. (When you go out to the Lido, where all Venetians holiday, it’s another story. A beachfront capanna goes for around $20,000 for the season, or you can go in with your neighbors for around $7000. And the beachgoers know exactly where everyone belongs.)

There are also other currents in the social stream, including the foreign workers who commute from the mainland to the beggars who crouch humbly on the pavement and wait for alms. Coles makes an effort to understand these people, and does a wonderful job portraying the tragedies and small victories of their lives. She also delves into the culture of the common spaces, precious in a place that can’t grow outward or upward, and to the fabulous interiors hidden behind fortress-like walls and doors. And forget Carnival. Real Venetians have a much more varied festival season to mark the long history of the city, including a thanksgiving for deliverance from the Black Plague which killed 50,000 people.

There are some shortcomings: Coles frequently talks about the Venetian dialect, which is different enough from “standard” Italian to make it difficult for non-natives, but she never really explains the difference. She also repeats some of the regular complaints about tourists, which can start to grate on the reader. But her strengths shine through, from her description of the obstinate bureaucracies to some beautiful descriptions of the setting and the residents. She also follows the debate about who is a “real” Venetian, and comes to an insightful answer. Still, it makes me rethink wanting to go to a place that has become a caricature of itself, at least until I can worry about where to hang my laundry.

Check the WRL catalogue for The Politics of Washing


Limitations, by Scott Turow

Wed, 2014-08-27 01:01

It’s a little known fact, but the vocalist for one of the big-name bands out there also has the greatest chops as a legal novelist. And with Limitations, which the New York Times Magazine graciously published in serial form, he shows that he can even take on the novella as a frame for his characters and settings.

Limitations brings readers back to Scott Turow’s fictional Kindle County, which has been likened to Chicago, but with a smaller-town feel. It also revisits two earlier characters – attorney George Mason (Personal Injuries) and Chief Judge Rusty Sabich (Presumed Innocent, Innocent).  Mason is now a judge on the Court of Appeals and is discovering that wisdom does not come with age and experience.

He’s also discovering that the black robe does not render him immune to the outside world: his wife and valued counselor of more than thirty years is under brutal therapy for cancer, he’s facing a tough re-election, and someone is sending death threats to his office and home computers. Mason wants to be frank with Patrice about his legal and political dilemma, but also wants to withhold from her messages he thinks are from a crank. Can he tell the complete truth about one and deceive her about the other?

The case he and two other appellate judges are facing is also brutal – an African-American teen was viciously raped by four white fellow students. One recorded the whole scene, but none of the people he showed it to reported anything for several years; the girl, who had been unconscious during the attack, didn’t fully understand or acknowledge the rape until the police showed her the tape. Four years after the crime, the rapists are tried and found guilty, but are appealing because the statute of limitations has passed. Or has it?  That’s the question Mason must face.

There’s a more profoundly personal element to his dilemma, something that hearkens back to his own confused and frightened youth, and he believes he must reconcile that memory before he can proceed to make his judgment. But the death threats become increasingly specific, and may be coming from a powerful underground figure with the power to carry them out.

Turow explores the various shades of Limitations through one man’s life and work without drawing a giant arrow to each one. And while the story comes to a resolution, it isn’t limited to a neat wrap-up. It isn’t as involved as some of his longer books, but is a satisfying read nonetheless.

Check the WRL catalog for Limitations


A Storm in Flanders, by Winston Groom

Tue, 2014-08-26 01:01

August 2014 marks the centennial of the worldwide convulsion we call World War I. Many of the images we collectively identify with the war came from one region of the line: Flanders.  The mud and shell holes which drowned soldiers, the devastated landscapes, the ancient towns reduced to rubble, the fruitless struggle for advances that could sometimes be measured in meters all characterized the hell which started at the North Sea and ended around the French border with Belgium.

Winston Groom, he of Forrest Gump fame, has been interested in Flanders since finding a automobile touring guide in his grandfather’s attic. In writing a history of the Ypres Salient, as the continuous four year battle was known, he has drawn on contemporary accounts, historical evaluations of the battle, and the biographies of participants from private (including Adolf Hitler) up to general. But everything seems to come back to that map of his grandfather’s.

The topography of the region was perhaps the greatest obstacle that faced both sides, but especially the British. A hill – more accurately a pile of construction rubble 60 meters high – dominated the landscape and provided an observation post for the masses of German artillery. The drainage ditches which made the pre-war farms possible were destroyed, and the heavy rains were channeled into the British trenches. Those farmlands offered little or no cover for assaults which might cover hundreds of meters into well placed German defenses. But the British held the salient as the world dissolved around them. Today, over 200,000 British cemeteries are in Flanders, and a memorial remembers 90,000 more who simply disappeared over the four years.

I became interested in reading an account of the Ypres Salient when the library added The Great War Seen from the Air, an oversized and detailed collection of aerial photographs with analysis and overlays which explain what the reader is seeing. Since I didn’t know the place names and only had a general sense of the war in Flanders, I wanted to know more about what the photographs represented. I don’t know which is worse – seeing the ground-level destruction or the panorama which puts that destruction into a larger context. I am still no closer to understanding how the soldiers and civilians on both sides could allow the futile bloodletting to continue. I do know a little more about the seeds sown by the War to End All Wars, which bloomed into the history of the 20th Century.  Let’s hope that kind of madness never descends on humanity again.

Check the WRL catalogue for A Storm in Flanders


Good Book, by David Plotz

Mon, 2014-08-25 01:01

In a recent Gallup survey, 75% of the respondents said that the Bible is the inspired word of God; about half of those said it was literally the word of God.  However, even the most generous estimates are that perhaps 10% of Americans report reading the Bible cover to cover. (I’d be willing to bet that some of those who said they did were violating the Eighth or Ninth Commandment.)

Regardless of your motive, reading the entire Bible (and Plotz, a nonobservant Jew, limited himself to the Old Testament) is a taxing and enlightening project. 26 books filled with the movements of a nomadic people constantly fighting with their neighbors,  begetting generation after generation, and laying down precise rules about who and what could actually approach God can get pretty tiring. Besides, your Sunday School teacher or Hollywood took the important parts and left all the rest behind, right?

One of the first things Plotz discovers is that those stories aren’t quite as straightforward as most people would like to think. Two versions of the creation story? A parade of liars, cheats, dastards and worse as the Lord’s Chosen?  Wrathful and genocidal zealots committing mass murder in His name? And that’s just the first book.

It gets worse as God continually writes and rewrites the Covenant, punishes the innocent and gives passes to the guilty, and accepts child sacrifice in violation of His own law. When the Israelites come into their own in Canaan, the fun really starts. Instead of a land flowing with milk and honey, the Israelites created a land flowing with blood. (That’s according to the Bible – it’s highly unlikely that the area could have supported the hundreds of thousands of Canaanites and Israelites cited in the various stories.)

The best part of the book is that Plotz doesn’t indulge in exegesis. He’s not qualified, as he himself says. Instead, he gives a chapter-by-chapter (OK sometimes he groups chapters together when they’re related) account of the Bible as he’s reading it. His tone varies from flip to bemused to outraged to wonder-filled as he works his way through the stories, poetry, inspiration and contradictions of a book which has provided continuity to the Jewish people and has influenced Western history for 2000 years.  But he also finds that knowing how the stories fit together equips him to continue a tradition of doubting and challenging a world where righteousness is no guarantee of happiness or even survival.

Check the catalog for Good Book


Vertigo 42, by Martha Grimes

Fri, 2014-08-22 01:01

Martha Grimes has come a long way since she started a series of mysteries named after English pubs. Her latest Richard Jury mystery is named for a champagne bar atop a skyscraper that overlooks the London financial district. While stretching the definition of “pub,” and sporting a cover that looks like a city crime thriller, the story offers the same mix of tragic, wealthy victims and eccentric rural Brits that have made Grimes’s books so popular for years.

Quite a few characters have been introduced in the course of 23 books, and the ones who weren’t Inspector Jury’s love interest have mostly survived to feature in later books. Grimes’s latest books are like a roll call of characters, each of whom seems to have wandered in from a different genre of mystery. Richard Jury, handsome and melancholy, lives in a darker, psychological mystery series where most people die, especially women he admires, and terrible things happen to children; reluctant aristocrat Melrose Plant evokes the golden age of wealthy amateur sleuths with butlers; while the crew of hangers-on in the town of Long Piddleton and Plant’s dreadful American aunt seem like they’d be comfier in a cozy mystery with tea shops and talking cats. But Grimes throws them all together along with movie references in affectionate nods to all kinds of mysteries past.

The movie reference in this case is obviously Hitchcock’s dizzy thriller Vertigo. For an old friend, Jury agrees to look into a very cold case: seventeen years ago, the friend’s beloved wife “fell” down a stone stairway, or so the police concluded at the time. It does seem suspicious that her death mirrored an even earlier tragedy, when a bossy, unpopular child at a birthday party “fell” into an empty pool on the same grounds. And while Jury is mulling over these incidents, a woman “falls” from a tower in the surprisingly crime-ridden environs of Long Piddleton, involving Melrose Plant and the usual suspects who hang out at the local pub. Jury and Sgt. Wiggins trace the survivors of the fatal party, and a depressing lot they are. But are they murderers?

Check the WRL catalog for Vertigo 42


Romancing the Duke, by Tessa Dare

Thu, 2014-08-21 01:01

First of all, Isolde Ophelia Goodnight is a fantastic name for a romantic heroine, even if it doesn’t lead you to expect a happy ending.

Izzy Goodnight’s father was the author of a beloved series of children’s stories set in a fictional medieval kingdom. But since her father died, leaving nothing but debts, Izzy’s real life is no fairy tale. Her purse is empty when she receives notice of a surprising bequest: her godfather appears to have left her a castle. And when she arrives to take stock of the new real estate, uneasily situated in the middle of nowhere, her ownership of the castle comes as a surprise to the duke who is already living there.

A scarred, snarling misanthrope with his own problems, Ransom William Dacre Vane doesn’t remember selling the castle at any point, and he’s unwilling to move out, as he needs a cold, bat-infested castle for brooding purposes. You can’t properly hate mankind in a rose cottage, can you? Not one to back down, Izzy strikes a deal with the duke: he will pay her to act as his clerk; she will sort through his piles of unopened correspondence in hopes of settling the legal status of the castle. Her duke-infested castle.

This lighthearted romance is roughly based on the story of “Beauty and the Beast.” That’s never been one of my favorite fairy tales, as it requires the hero to waste so much time insisting he’s a monster— so I was actually pretty relieved when the LARPers showed up. Yes, I picked this title out of a stack of historical romances because it contains 19th-century cosplay, a band of fannish role players who are starstruck to meet the Izzy Goodnight of the Goodnight Tales and who spend their spare time re-enacting medieval romances.

Written in a breezy, conversational style, this is a romance for pure escapism. All the gothic elements, the isolated castle, the bats, and the apparently brutish lead— so brooding!— are played for laughs and to surprisingly sweet effect. There’s a sneaky undercurrent of modern references, too (“The threat is coming from inside the castle”), that let you know this story is all in good fun.

Check the WRL catalog for Romancing the Duke.


Faking It, by Jennifer Crusie

Wed, 2014-08-20 01:01

Art, theft, and con artists in love are an irresistible combination in this contemporary romance classic. Whip-crack dialogue and lots of old movie quotes evoke the great screwball comedy duos of the screen.

They meet in the closet while burgling a house: Davy Dempsey, a (reformed?) con man introduced in Welcome to Temptation, is trying to steal three million back from a gold-digging ex who has moved on to her next victim, an art collector. Tilda Goodnight is trying to steal back her own painting so that the world won’t learn that the respected Goodnight art gallery has been trafficking in forgeries.

I’d forgotten how crowded this book is when I revisited it on my recent romance binge. On top of the cast of dozens, some have double identities and others have multiple nicknames, depending on which movie they happen to be quoting at the time. Fast-paced and funny, it’s one of those comedy romances in which you never know who will come through the door next— the con man, the hit man, the gold digger, the FBI? “It’s like the clown car at the circus,” someone remarks during the whirlwind conclusion, but it all ends in a happily ever after with character reveals that would make Shakespeare proud.

Crusie’s titles stand out from a crowd of romances because of the truths underneath the silliness: women trying on different roles, trying to be all things to all people, and losing track of which is the “real” self in the end. Tilda, a gifted painter, has been supporting her family with knockoff Impressionist murals for so long, she’s come to hate her art— and Davy can give Tilda her art back, not just in literal paintings, stolen or conned from their original owners, but in the joy of painting again in her own style. And while Davy and Tilda’s hot-and-cold affair is in the spotlight, there are satisfying moments of revelation for all three generations of Goodnight women. Happy endings are not only for the young and cute! Mother Gwen, whose long-repressed anger comes out in subversive cross-stitch and patchwork quilts with teeth motifs, gets a new beginning out of the plot as well.

For other romantic crime capers, Melissa recommends The Spellman Files. Or, there’s the stylish 1960s film, How to Steal a Million, in which Peter O’Toole, Audrey Hepburn, and Hepburn’s Givenchy and Cartier wardrobe also find true love in a closet, while conspiring to steal a forged sculpture. While Dempsey and Goodnight are more down-to-earth than O’Toole and Hepburn— aren’t we all— the aura of witty, screwball fun is the same.

Check the WRL catalog for Faking It.

Go ahead, watch How to Steal a Milliontoo.


The Heiress Effect, by Courtney Milan

Tue, 2014-08-19 01:01

“She imagined the conversation as a prime coach-and-four. She imagined it racing along a road at top speed, the wheels glinting in the sunlight. And then she imagined driving it straight into a hedge.”

Jane Fairfield has the opposite problem of many romantic heroines: she has too much money (a hundred thousand a year!) and too many suitors (who are after her money), and it’s very important to her that she not get married. Marriage would take her away from her sister, who suffers doubly from seizures and from the torturous attempts at a “cure” forced upon her by their uncle.

To further the goal of remaining single at all costs, Jane pretends to look for a husband but presents herself as a tactless nitwit, a social bull in a china shop, and she tops off the performance with the most tasteless, over-the-top gowns she can get away with in a ballroom (“nothing says lace like…. more lace”).

Oliver Marshall, the illegitimate son of a duke, has parliamentary ambitions. Moving between his working-class background and the upper crust set he’s hoping to impress, Marshall is doing his best to blend in with society, while Jane is flying in the face of it. Of course they are meant to be together. Unfortunately, Marshall’s mentor wants a favor in exchange for delivering a bloc of votes in Parliament: publicly humiliate that appalling woman, Jane Fairfield.

Part of a series of loosely-connected novels, this historical romance features not just a duo but an ensemble of strong characters— an aspiring suffragette, an Indian law student, an agoraphobic aunt, lady geneticists!— each with a compelling subplot. Jane, with her tasteless wardrobe and outrageous opinions, is a refreshing and entertaining heroine. The 1860s setting provides all manner of external conflicts in society: class issues, the debate over natural selection, and the vote for women, to name a few. The interpersonal conflicts are handled not just with empathy, but sensibly, with characters having rational conversations with one another and helping one another towards their goals. Nobody gets rescued; instead, with help, everyone rescues themselves. Full of quotable lines, this is a fun, redemptive romance that will have you cheering for, well, everybody.

The Brothers Sinister series can certainly be read out of order, as I’ve been doing, but if you like to take things in order, start with The Duchess War

Check the WRL catalog for The Heiress Effect

WRL also owns the ebook.